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Killer 2-for-1 value on the hit thriller Death Note!
Reads R to L (Japanese Style) for audiences T+. Contains Volumes 3 and 4 of Death Note!
Light Yagami is an ace student with great prospects--and he’s bored out of his mind. But all that changes when he finds the Death Note, a notebook dropped by a rogue Shinigami death god. Any human whose name is written in the notebook dies, and now Light has vowed to use the power of the Death Note to rid the world of evil. Will Light's noble goal succeed, or will the Death Note turn him into the very thing he fights against?
- Sales Rank: #87833 in Books
- Brand: VIZ Media, LLC
- Published on: 2011-03-01
- Released on: 2011-03-01
- Original language: English
- Number of items: 1
- Dimensions: 8.40" h x 1.30" w x 5.50" l, .68 pounds
- Binding: Paperback
- 400 pages
About the Author
Born in Tokyo, Tsugumi Ohba is the author of the hit series Death Note. His current series Bakuman is serialized in Weekly Shonen Jump.
Takeshi Obata was born in 1969 in Niigata, Japan, and is the artist of the widly popular SHONEN JUMP title Hikaru no Go, which won the 2003 Tezuka Osamu Cultural Prize: Shinsei "New Hope"` award and the 2000 Shogakukan Manga award. Obata is also the artist of Arabian Majin Bokentan Lamp Lamp, Ayasturi Sakon, Cyborg Jichan G., and the smash hit manga Death Note. His current series Bakuman is serialized in Weekly Shonen Jump.
Most helpful customer reviews
1 of 1 people found the following review helpful.
The Definitive Edition of Death Note (cont.)
By Omnizoa
The manga is excellent, no question, however this review is regarding the quality of the book itself.
I've taken parts from my review of the first volume and compared them here (1st Volume review is in quotes "").
"Design:
The Black Editions appear just as they should, they feature a basic cover with a headshot of one of the major characters unique to each book (Light, Ryuk, L, Misa, Mello, and Near in that order), and eschew the original spine design which each featured a different shinigami that most often did not play a role in the story (exceptions being 1 Ryuk, 4 Gelus, 5 Rem, and 9 Sidoh). The books are stripped of their extraneous content including ads, Shonen Jump subscription cards, "Last Time on Death Note...", and "In The Next Volume..." pages leaving only Death Note to keep your attention. The overall design is nothing but appropriately ominous leaving sparce white text on a black field reminicent of the Death Notes themselves, even the edges of the pages are black, easily setting the books apart from anything else on your shelf."
The second volume breaks the no-ads mold by squeezing in a much unneeded page advertising the 12-volume boxset and dvd collection. Beyond that the design is unchanged.
"Content:
The primary feature is that the Black Editions serve as two-packs, each of the 6 containing two of the original 12 books of content. The books are also about 1 inch taller and 3/4ths of an inch deeper, this means the original pages are printed larger and in higher quality. The opening pages that were inked in color for Shonen Jump are back in color now, having been grayscaled in the original release. A couple art pages have been added, however these come at the cost of the original books' front cover art which do not make reappearances, even as art pages. The art on the original back covers do make reappearances, having always been art pages to bookend each chapter, however these are not in color."
My complaint about the missing cover art is addressed in the second volume where at the end of the book, it features the original first four cover images. I'm glad to see the cover art again, though I do wish it was in color, but mostly I'm puzzled by the approach. Why not just have one page in every black edition showing off both covers of the books it contains? I would never have decided to release the cover art in batches of four every other volume, that doesn't make any friggen' sense.
"Material:
The higher quality paper is nothing to write home about as the difference is slight, however it's worth noting that the quality is significantly better than some similar rereleases such as Naruto's 3-in-1 omnbuses which cram 3 books together with very thin paper. The biggest drawback to this rerelease is surely it's cover material. The covers feature the same matte finish that appeared on the original books (unlike the glossy covers on Naruto) and consequently fingerprints and nail scratches are much more visible, especially considering the covers predominantly black. In addition to this, it's obvious that the inking process that was used to render the edges of the pages black was done with the cover on. Because of this, ink stains are visible all along the outer edges of the front and back cover. These may not be immediately noticeable at a glance, but if there is a silver lining to this, it's that the books should handle age very well. The page edges will not appear to yellow under a layer of black ink and inevitable damage to the cover will blend in with the ink stains. If the end result is a great book that resembles a battered old tome, the venture will have been a success. Ultimately however, the choice to ink the page edges was poor. It looks more like a block than a Death Note, and it would qualify no less for the title of "Black Edition" without it."
Surely my biggest dissapointment came here. I've gone to see some of the Black Edition copies as sold on shelves and noticed that many of them didn't have the bothersome ink stains on them. When I received my copy through Amazon however, I realized it was worse than before. Instead of a thin streak of ink along the edges of the book, both the front and back had 2-3 thumb-size smears across them. I have no idea what went through the manufacturer's head when they decided to pull this crap, but suffice it to say, in the light, your book might not look so new.
I'm tempted to score this lower due to the inconsistent damage appearing on these books, but the new art, returning cover art, and general quality of the book's content dissuades me. My only wish is that they made all of these books cleanly and without obvious printing errors. Beyond that...
Judgment:
All things considered, the Black Editions present a streamlined and convenient re-packaging of the original books, and lose little in the process. I would have liked to see the original cover art and the all of the originally colored art pages return in full color, but the larger pages and two-in-one format are more than fair compensation. The ink inconsistent damage is a definite sticking point, but it certainly warrants the unqiue title of "Black Edition" and if nothing else will certainly provoke more than one "What are you reading?" questions, to which you will always have a good answer.
1 of 1 people found the following review helpful.
Death Note Continues To Deliver!
By Joseph Born
For those of you who didn't read Death Note Black Edition, Vol. 1 , Death Note follows the life of Light Yagami after he finds a "Death Note", which enables him to kill anyone, anytime, anywhere, anyhow... under two conditions. First he must know their name (Their real one) and know what their face looks like. And a Shinigami (Japanese God of Death) named Ryuk, who dropped the Death Note into the "Earth world" follows Light everywhere since it's his Death Note.
In the previous volume, Light decided to use the Death Note to kill of the worlds top criminals along and many of Japan's criminals, even the minor ones. He does this by giving them a heart attack. This earns him the attention of L, a super slueth detective who can solve any case. L puts together a Task Force, which includes Light's father, coincidentally a top cop in the NPA. This task force has pledged to bring "Kira" to justice.
In this volume, L and Light come face to face! Although neither one knows who the other one really is at first. This leads to an astonishingly fun war of words between the two. Of course this war is interrupted as L and Light discover that someone they both know has suffered a heart attack... Then a Kira holds a news station hostage by the most unconventional means unless they air threatening tapes about "Kira's" plans for the world. It turns out this is the work of a second Kira named Misa, who has the Shinigami eyes. Light joins the task force to help track down this apparent second Kira which leads to Light and L playing a game of Cat and Mouse with the killer.
The art in this book is great. The artist really knows his facial expressions. The dialogue is absolute genius. The best thing about this is that it's oversized. Overall, I cannot recommend this volume enough! That is if you've read the first one.
0 of 0 people found the following review helpful.
A visually stuninng version
By Clay R. Haase
Death Note is without a doubt one of those mangas that practically everyone has at least heard about. No wonder too, the story is interesting and attention-catching. The plot is centered on Light Yagami, who finds a notebook with which he can kill people by writing their names on it, and the police investigation that attempts to put an end to his criminal killing and bring him to justice. It is deep, interesting, with a well-developed plot, and absolutely memorable. This manga is, story-wise and art-wise, fantastic. There is no question about it, and a review based purely on the story would be pointless considering the sheer amount of great existing ones already. I definitely recommend a fan of manga or just purely great works to read this comic. Because of this, this review will be about the quality of the Black Edition book itself and how it compares to the physical tomes. I will note here that I have both the hardback and paperback editions of the black edition, as well as some older volumes of the normal version of the comic.
The design of the Black Editions is just as they should, and feature a basic cover with a headshot of each of the major characters (Light, Ryuk, L, Misa, Mello, and Near). The spine, unlike the normal volumes, doesn’t feature a different shinigami in each volume, but a simpler and neater and simpler design. It seems, in a visual way, to be more reminiscent in this sense of the Death Note itself: formal, elegant, and with a somewhat ominous tone that goes along with the story itself. This extends to the visual look of the pages of the book, which from the outside are completely black.
The main feature of the Black Edition is that in each volume it serves as a two-pack, and in the six published volumes it contains the original 12 books of contents. The books are taller and wider, and the art in the pages is in this way scaled along with the pages – thus becoming easier to appreciate the detail of the art and the text itself – and makes it easier to hold than the original volumes. Several art pages are added at the cost of the original covers of the original volumes featuring the characters (though these do make reappearances at the end of the chapters, but not in colour).
The difference of material with the original releases is slight, though when compared to rereleases of other similar series (such as the Naruto 3-in-1 volumes) it is noteworthy that the Death Note Black Edition isn’t use as much thin paper. The paperback version, due to its choice of material in the cover – which although I like has a very significant visual impact – appears more as a block of sorts, making me prefer the hardback edition of these volumes because of their visual impact (though this is a conclusion I often get when comparing hardback and paperback editions of different books).
All things considered, the Death Note black edition is a great streamlined and convenient package of the original volumes. The increased size makes for an easier reading experience, and no matter what version (paperback or hardback) it looks visually stunning. The coloured art in some pages look great, as do the other black and white areas of the volume because of the increased quality. Though absence of the cover art of the original volumes was missed, I definitely recommend purchasing these volumes for reading or collecting. They look wonderful and will make for a great addition to any library, plus are easier to hold and read than the original release. As such I give it 4 out of 5 stars as applied to the volumes and materials themselves, rather than the story. The story, though not one of my absolute favourites, is definitely worth reading and deserves the highest rating.
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